I Love Thee, I Love Thee Not –  ★★★★☆  – Mayhem Red Firefly Theatre 20-26 Aug Review by Rebecca Mahar   Red Firefly Theatre debuts on the Fringe with  I Love Thee, I Love Thee Not , a rapid-fire hour of Shakespeare’s greatest lovers’ hits, featuring able classical performance couched in an absurd frame.   Gabriel Bird and Jenna Donoghue star as Isaac McKellen and Julie Dench, RADA (Regular Academy of Decent Actors) trained thespians who are desperately and soporiphically in love and have determined that the secret to their romantic success is their mutual love of Shakespeare, which has made their relationship “objectively better than anybody elses!”. To that end, they’ve decided to share with the audience the “dos and do nots” of a successful relationship through various scenes of Shakespeare. McKellen prepares to launch into a tragedy, and the image of the perfect relationship breaks down immediately as Dench protests repeatedly that they had agreed to begin wi...

Selkie: Past, Present, Future -  ★★★★★ - Luminous Scottish Storytelling Centre (Venue 30): Wed 19 – Sun 30 Aug 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 24 August 2026. Edited by Thom Dibdin. Selkie stories abound in Scottish folklore, but you’ve never heard any quite like Niall Moorjani’s in their Selkie: Past, Present, Future , returning to the Scottish Storytelling Centre for the second two weeks of the Fringe. Moorjani blends the tradition of the mysterious, seal-skinned shapeshifter with allegories on the experience of trans and BPOC people today— while acknowledging that these people, with both their struggles and joy, have always been, even if the world hasn’t always been, isn’t always, willing to recognise or accept them… Niall Moorjani and Ailsa Dixon. Pic: Supplied. Visit All Edinburgh Theatre to read the full review !

Steve Burns: Alive –  ★★★★★  – Transcendent  Benson Drive Productions 5-30 Aug Review by Rebecca Mahar   Steve looks into the camera and says, “Can you help me?”   Steve Burns looks at us and says, “Can you help me?”   Steve Burns: Alive  looks into the soul of a generation that grew up on a passive aggressive blue dog and a “weird happy jackass boy in a cartoon house,” and reminds us of the humanity on either side of the camera, of the profound connections we made on Our Show, and of the disconnects that can plague even something as monumental as that.  Alive  introduces us not just to Steve, but to Steve Burns, the man behind the green-striped shirt, in all his imperfect humanity, and in how living with two Steves and the persistent rumours of his own death have shaped him. Steve Burns: Alive. Pic: Rebecca J Michelson From 1996 to 2001, Steve Burns was also “Steve,” the adult-shaped but childlike host of  Blues Clues , an American chil...

Knight’s Dream –  ★★★☆☆  – Promising Muchadoaboutmusicals 17-22 Aug Review by Rebecca Mahar   Inspired by Shakespeare’s  A Midsummer Night’s Dream , Muchadoaboutmusicals present the new musical  Knight’s Dream , set in an almost-five-star rated bar where a night out takes an unexpected turn. The cast of Knight's Dream, Liverpool preview show. Pic: Muchadoaboutmusicals. Knight’s Dream , written and directed by Constance Evans with choreography by Erin Bruda,   makes clear immediately what the focus of its story will be: the opening number “Love Drug,” describes a substance that “makes your pulse increase, your eyes dilate, the first person you see is your soulmate.” A riff on King of the Fairies Oberon’s use of the flower love-in-idleness in  MSND  to make both the young lovers and his own Queen Titania fall in love where they otherwise wouldn’t have, Love Drug now becomes something more clearly sinister: the active ingredient in a spiked cocktail ...

Witches Corner -  ★★★★☆ - Defiant theSpace @ Surgeons’ Hall (Venue 53): Mon 17 – Sat 22 Aug 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 21 August 2026. Edited by Thom Dibdin. Magic or misogyny? asks  Witches Corner , a new sociopolitical play from Encapulus Productions that packs laughter, rage, song, and grief into an hour that questions how much has really changed for women since they were burned and hanged and stoned as witches. The play, written and directed by Eilidh Smith with music composed by Rona Johnston, is set in Pittenweem in Fife, a “bonnie wee toon where awbody kens awbody and awbody kens awbody’s business.” A scene from the preview performances of Witches Corner at the Scottish Storytelling Centre. Pic: Alastair Moore. Visit All Edinburgh Theatre to read the full review !

Cavalleria Rusticana -  ★★★☆☆ - Introspective Pagliacci -  ★★★☆☆ - Ambitious Stockbridge Church (Venue 317): Wed 12 – Sat 15 Aug 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 20 August 2026. Edited by Thom Dibdin. Aria Alba – Opera For All brings a double bill of one-act operas to Stockbridge Church this Fringe, with the classic pairing of Mascagni’s  Cavalleria Rusticana  and Leoncavallo’s  Pagliacci  in a programme that emphasises the women in these narratives of male jealousy and coercion. Both operas are performed in Italian with two screens positioned either side of the stage displaying brief summaries of what is happening, with occasional interjections of translated dialogue. This approach unfortunately reduces the detail of what most of the audience will understand compared to traditional translation. The screens also become invisible when the full company is on stage, and the pillars of ...

CQD to SOS: A Titanic Story -  ★★★☆☆ - Haunting Greenside @ Riddles Court (Venue 16): Mon 17 – Sat 22 Aug 2026 Review by Rebecca Mahar Review commissioned by, and originally published on All Edinburgh Theatre, 20 August 2026. Edited by Thom Dibdin. Bringing the Edinburgh Rep Company’s lineup of six centuries in six shows at the Fringe into the 20th century is  CQD to SOS: A Titanic Story , a glimpse into the infamous sea disaster through the eyes of its wireless operators: two on Titanic herself and one on Carpathia, racing through the ice-filled night to render aid. Like the stokers and engineers who fought the water belowdecks and kept Titanic’s power on until the last possible minute, wireless operators Harold Bride and Jack Phillips are figures in the history of the sinking that have attracted more attention and interest in recent years. S tephen McParland as Phillips and Daniel Drever as Bride. Pic: Edinburgh Rep. Visit All Edinburgh Theatre to read the full review !...

Jekyll and Hyde –  ★★★½  – Sharp   Muchmuchmore Theatre 17-22 Aug Review by Rebecca Mahar   Muchmuchmore Theatre, the in-house theatre company of Runshaw College, returns to the Fringe with another adaptation of classic literature in the form of  Jekyll and Hyde , a re-imagining of Robert Louis Stevenson that relocates the dichotomies of human nature into a sociocritical lens connecting past and present.   A scene from Jekyll and Hyde. Pic: Muchmuchmore Theatre. The show jumps between nineteenth century London, where the widowed Harriet Jekyll is beginning to pick up the threads of her husband’s research a year after her death, and the present day where Florence Monroe is being questioned by police about a possible connection between her tumblr blog and a murder investigation. However, it’s not as simple as two parallel stories existing at different point in time: the boundaries between these worlds are cracked, with Florence observing the past, and charact...

The Witches of Macbeth –  ★★★½  – Intriguing Inanna’s Children 14-22 Aug Review by Rebecca Mahar   Interleaving ancient Sumerian myth and pagan ritual with the story of Shakespeare’s  Macbeth,  Innana’s Children’s  The Witches of Macbeth  brings a novel approach to an old story. Inanna refers to a Sumerian goddess (also called Ishtar) and the epic poem  Descent of Inanna into the Underworld , wherein Inanna seeks to overpower its ruler, her sister Erishkigal. Passing through seven gates on her descent, Inanna must remove  a piece of her regalia each time, ultimately resulting in the loss of her life— though that’s not the end of her story.  The Witches of Macbeth  parallels this katabasis-like tale with the story of Macbeth and his descent into hubristic doom, with three witches narrating both Inanna’s journey and embodying every character in Macbeth’s but the Thane himself. Eve Kagan, Maurice Parent, and Spencer Evett as the w...

Macbeth: Blood and Bluegrass –  ★★★★½  – Innovative The Barden Party 7-29 Aug Review by Rebecca Mahar   Returning from Aotearoa New Zealand after a triumphant 2025 EdFringe run, The Barden Party’s  Macbeth: Blood and Bluegrass  blazes through an adaptation of Shakespeare’s  Macbeth  that blends music, modernity, and command of the original text into a gripping new approach to an old story. Laura Irish as Macbeth. Pic: Steffen Taylor. After the speedy recitation of a te reo Māori prayer, the company launches straight into the action. Queen Duncan receives Sergeant Macduff who tells of Macbeth’s victory on the battlefield —“brave Macbeth, well she deserves that name”— followed quickly by the arrival of the lizardlike weird brothers in denim vests, and the genderslipperiness of the show is as firmly established as the story.    The show is not completely gender-swapped, with some roles such as Banquo retaining their traditional presentations, no...